Children of the Sea, vol. 1

By Daisuke Igarashi
Published in the US by Viz’s Ikki Comics

Slugline:  Manatees make for good au pairs.

Ruka has been banned from handball on the first day of her summer break so she has to deal with her father, who works at an aquarium.  While there she meets Umi and Sora, two boys who were raised by sea manatees.  Umi and Sora feel a connection with Ruka and act on it by first making sure that she sees a falling star with Umi and later taking her with them when they 'borrow' a boat to swim near where the meteor splashed down.  There they see thousands of fish with phosphorescent spots, reminding Ruka of when as a child she saw a ghost disappear from an aquarium tank.  Umi and Sora seem to know more than what they are saying about what is going on, but Ruka is drawn ever closer to them even as she tries to recover from their dive.  As she practices snorkeling, Sora's weakness and the unusual situations in the surrounding ocean becomes more pronounced.

This is a series where the beginning scenes seem to tell a minor and unimportant story (a kid being kicked out of a school sport, visiting a friend in a hospital) but will lead to major events.  Exactly what those major events are remains uncertain, but you can feel the weight of them in the actions of the the characters as they also seem to be anticipating something.  When the first volume is broken down by scene even though it is longer than the traditional manga volume not that much happens in it.  But the tension and sense of rising action is managed so well that is easy to overlook it.  What also makes this an unusual manga is the art is very impressionistic rather than the heavily stylized like most manga. This is very effective in the underwater scenes, as it helps it give a sense of otherworldliness, that there is of the nearby world that is intimately tied to our own yet still is unfamiliar.

Children of the Sea, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Choco Mimi, vol. 1

Story and Arty by Konami Sonoda
Published in the US by VizKids


Slugline: Preteen girls on the prowl

Choco and Mimi are fashionable eighth graders that enjoy their lives way too much. Sure, Choco can be called the serious one and Mimi is the silly one, but only in comparison to each other since Choco is still fairly silly. In between causing trouble for their teacher and driving each other nuts, Choco and Mimi let themselves be mildly attracted to boys. Boys like the serious and aloof Ando and the gender confused Mumu. To round out the cast is Chiffon, a cute little dog that thinks of himself more as a samurai and several other pets. Most of the strips are about the girls interacting and getting each other in and out of trouble, but occasionally it deals with their delicate dance to attract the boys' attention.

Most of the volume is made up of 4-koma, basically four panel comic strips, so the stories that are told by necessity are little gag scenes that have little connection to each other. There are several longer storylines about major events such as a party that takes a couple of strip to resolve the events but there are no character changes and their relationships. Unlike comedy focused stories for boys, Choco Mimi does not have any fart or other bodily humor jokes which saves it from being totally ignored by adults. Despite having all of these good bits and the occasionally funny joke, in aggregate it just doesn't mesh well enough to create something greater than the parts. For adults and boys, this is a barely tolerable strip while younger girls who find playing with paper dolls and fashions might find it worthwhile.



Choco Mimi, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Detroit Metal City, vol. 1

By Kiminori Wakasugi
Published in the US by Viz Signature


Slugline: A (rude) one hit wonder

Negishi is a musician that has moved to the big city to make his name and fortune. Unfortunately it is not in folk or pop music, his true musical passions, but instead in the death metal band Detroit Metal City (DMC). He takes on the persona of Krauser II, the foul mouthed and depraved lead guitarist of the band. This causes no end of trouble for Negishi who tries to keep the halves of his life separate, but sometimes when he is stressed or nervous he falls into his Krauser II persona confusing those around him since he has not shared his dual identity with most people. Despite the popularity and fame that DMC has, Negishi still just wants to talk to his old college friend Aikawa who likes the same pop music that he does without having to let her know about Krauser II or DMC.

The title is rated M for Mature for wildly excessive use of swears. Every time Krauser II is in the panel expect a least a dozen words that you can't repeat in front of your mom. It's played for laughs but it after a while the joke just isn't funny anymore as the swears lose their power to shock and quickly move into the realm of annoyance. It is never quite explained how Negishi ended up or started DMC and considering his attitude to his role and the music, the reasons why he was willing to split his life so severely would explain why he bothers keeping up with the illusion. Some of the characters' behaviors, especially towards women, is just not funny no matter how tongue in cheek it claims to be. This might have been a good short story but stretching the joke out over an entire volume just makes it feel thin and unless new angles are explored there seems to be little reason to continue reading it.



Detroit Metal City, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Leave it to PET!, vol. 1

Story and Art by Kenji Sonishi
Published in the US Viz


Slugline: An incentive to throw your recycling into the dump

Noboru is a typical nine year old who wants to avoid trouble and have fun, in that order. He thinks that both of those goals will be easily meet when PET enters his life, for despite being a recycled plastic bottle, PET has all sorts of abilities, sort of like a super-robot such as Doraemon. Unfortunately for Noboru PET is not very smart and has far less common sense than him, which means that many of PET's attempts to help Noboru backfire spectacularly. The exceptions are when he does not properly understand what Noboru is asking for or is bored and decides to do something else. Despite feeling that he owes Noboru for recycling the plastic bottle that made him, PET does not try very hard to improve either himself or Noboru.

You would think that after the first few times that PET made things worse for Noboru he would stop being so willing to call on PET, but that is a lesson that Noboru never seems willing to learn, if for no other reason that it would end the series. As a kid's series it definitely is just for kids rather than being appropriate for all ages for if you are well into your teens the story will quickly become repetitive and is just not very funny. As for the series name, PET is an acronym for a widely used recyclable plastic though most plastic items are labeled by number rather than type. The story does gently tweak recyclable programs, if for no other reason that if you recycle you may get stuck with a robot friend like PET.



Leave it to PET!, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Ikigami: The Ultimate Limit, vol. 1

Story and Art by Motoro Mase
Published in the US by Viz


Slugline: Worst Government Health Plan Ever!

Fijimoto has started a job with a government ministry as a messenger of Ikigami. This government has decided so that the citizens will live to their fullest, some have to die. All citizens receive immunizations and in those immunizations some receive a capsule that will kill them at a predetermined date and time between the age of 18 to 24. Their only warning is that 24 hours before their death, the victims receive an Ikigami with their death information. Fujimoto questions the ethics of this, but not too loudly since social malcontents also receive a capsule. He delivers two Ikigami in this volume, one to victim of bullying who now has to wonder how to get revenge and the other to a street musician that has sold out in order to be a success that he will now never enjoy.

This series acts more along the lines of an anthology, with Fujimoto only being involved in the beginning of each story as the background of the Ikigami and the world that permits it is touched upon. The rest of the stories are about the last days of the victim and how they chose to use their death. These are character studies, as the victims have just a day forcing them to pare their goals and themselves down to fit that day. Despite the implicit questioning of Ikigami by the characters, on how there is no need for it to be used to bind the society together, in the two cases here the final acts of the victims are to help others, thus undercutting the argument against them. The strength of the title is in the character examinations rather than the overarching story which has too much useless infodumps.



Ikigami: The Ultimate Limit, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Gestalt, vol. 1

Story and Art by Yun Kouga
Published in the US by TokyoPop


Slugline: I guess the cover art is nice

Father Olivier of the Valeria Order has evaded his superiors and is going to the island of 'G,' the home of a banished demon. Along the way he acquires the slave Ouri , who rapidly reveals that she has hidden abilities and a connection to the island of 'G' herself. There are some traveling companions and some complications, but the story was so choppy and all of the characters drawn so similarly that it rapidly become too much work for too little reward to actually care what could be going on. Character motivations and powers appear and disappear with no explanation, bad video-game terminology is used as an excuse to avoid actual world building and plot lines are created and discarded apparently randomly. This was painful to read, and despite the creator's otherwise compelling body of work, this title is one to be avoided.



Gestalt, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Tail of the Moon, Prequel: The Other Hanzo(u)

Story and Art by Rinko Ueda
Published in the US by Viz


Slugline: They only way to keep the peace is through treachery and assassination

Kaguya, who was discovered wounded and without her memory in a bamboo field, works as a servant at a brothel during the Japanese Warring States period. All of the ladies there are interested in the playboy warriorHansou, though when he sees Kaguya he decides that he needs to meet her. At first she is flattered by the attention until she learns that he visits all of the red light district's ladies. Honsou insists he feels differently for her but as they get more intimate he realizes that the scars from her wounds are identical to ones he gave to an assassin. This jogs her memory, enough to remember that she is a ninja trying to keep the peace through carefully aimed violence. Despite their roles on opposite sides of the Warring States,Kaguya (now using her real name Sara) and Honsou keep their relationship alive in the face of her missions to marry and spy on other members of Honsou's family.

As a prequel, this volume helps explain the background and relationships of several of the supporting characters of the main Tail of the Moon series. The art style is appears to be a touch out of date, which helps create the illusion that this story predates the main series. While sometimes the logic of the characters seems spurious, especially when they try to justify how despite being on opposite sides their objectives remain the same, the story still does not read all that badly. This is one of those stories where you don't really need to justify everything, just go along with the characters' emotions and feelings. If this was a continuing story, it's structure would be more of a problem, but as a standalone or a side story, it works.



Tail of the Moon, Prequel: The Other Hanzo(u) is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Rasetsu, vol. 1

Story and Art by Chika Shiomi
Published in the US by Viz Shojo Beat


Sluglines: Love and Roses must always have thorns

Rasetsu is the lead exorcist of an agency that casts out spirits and other supernatural menaces despite her young age. Part of the reason that she is so talented is that an early age she was marked by a rose tattoo as the possession of the spirit to be claimed by it on her 20th birthday. The only way for her to escape her fate is to fulfill a very specific set of conditions that she has little confidence in herself in fulfulling. Despite her competence, she does not look it, so when Yako Hoshino, a character from Chika Shiomi's earlier work Yurara needs the help of an exorcist he is reluctant to hire her agency. Rasetsu steamrolls over his protests and when she realizes that he has his own ability, she arranges for Yako to lose his current job and be hired to work for her agency so that she can have someone halfway competent to help her. What Rasetsu doesn't realize that she bears an uncanny resemblance to his lost love, a relationship thatforms the core of Yurara.

This is a sequel to the Yurara manga but so far only Yako has appeared in Rasetsu in more than background role. The focus in far more on Rasetsu, a new character, than Yako. She is an interesting mix of competent and carefree, doomed and light hearted. She is reticent to discuss her need to find true love to escape the spirit which makes the plot stronger, as it is believable that her experience makes her wary of any kind of love even if it would be her salvation. Yurara has not been reviewed so there is no way to really compare this title to it's prequel, but the mere fact that this is not another high school shojo gives it a leg up. While it has been certainly been implied that Rasetsu and Yuko will be getting together because of Rasetsu's fate and her resemblance to Yuko lost love, the plot does not feel like it is predetermined or just an exercise of filling in the blanks, which is partly why it is so well rated.



Rasetsu, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Fushigi Yûgi, VizBig Vol. 1

Story and Art by Yuu Watase
Published in the US by TokyoPop


Slugline: I still remember the endless cries of "Tamahome!"

Miaka is a typical junior high school student that is studying hard to get into a prestigious high school, when while studying at the library she discovers a book describing a magical world. That book transports both her and her best friend Yui to that world where they meet Tamahome, a money obsessed martial artist. They girls travel back and forth from Japan and the world of the book, separately and together until misunderstandings and deceptions cause Yui and Miaka to be allied to different empires. This is important because they can fulfill a prophecy by becoming priestesses, allowing them to have wishes that can make or break empires. Each priestess will have seven protectors, who are necessary to fulfill the prophecy so Miaka begins the search for them even as she falls more in love with Tamahome.

Fushigi Yûgi was one of the first big shojo animes so it had and probably still has a fairly big following but by modern standards it is about as subtle a brick. Not that modern shojo is very subtle either, but people could mock it by randomly calling out Tamahome since Miaka seemed to cry it out every 10 minutes in the anime. The manga is not quite as bad but Miaka still is an airhead and you wonder how she can manage to focus on anything long enough to finish it. But despite that, the story does carry you along and it becomes almost addictive, reading (or watching) as much as you can just to see what happens next. Or to see if Miaka will ever be mature enough to avoid calling to Tamahome every time her moods change.



Fushigi Yûgi, VizBig Vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Cat Eyed Boy, vol. 1

Story and Art by Kazuo Umezu
Published in the US by Viz


Slugline: A horror manga that has gone horribly wrong.

Cat Eyed Boy is an abandoned monster that has been forced to live on his own, living in house's attics and observing the people live there. Either trouble follows him or he follows trouble, but either way the people he spies upon often have things go terribly wrong. Eventually he comes across a group of human freaks who are behaving as monsters to get revenge on humans that are monsters on the inside. This perversion of monsters (comparatively speaking) good name sets him in opposition to them.

Kazuo Umezu created The Drifting Classroom manga, so when this title come up for review the expectation was that it would be very good. Instead, The Cat Eyed Boy is more memorable for the lack of internal consistency and the meandering and purposeless main character. Sure, maybe that reflects the character's true nature as a cat rather than a human being, but it still makes for a very poor story. Even the opposition that makes their appearance in the last half of this super-sized volume doesn't make much sense, and because their victims deserve their fate it is hard to sympathize with them. Still you can't help but feel annoyed that the Cat Eyed Boy is completely incompetent in trying to stop them. As a result the art rather than conveying a horrific mood merely has a gross out factor.



Cat Eyed Boy, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Dogs Prelude, vol. 0

Story and Art by Shirow Miwa
Published in the US by Viz


Slugline: Percussively putting the pieces into play.

Dogs Prelude introduces four loosely connected characters that live in a noirish near future city. Each has their own drives and personality, and we see three out of the four at emotional turning points in their lives. For the fourth one, well his emotional damage is that he likes to shoot things when he goes into nicotine withdrawal. There is no unifying story in the volume, but because this is a prelude it is possible that the subtext of the four character's stories might be woven into a single overarching one. While there is a bit of over thinking and melodrama, the characters are interesting on the individual level and even if their stories are needlessly confused in order to make them more 'noir,' they are still engaging enough that I care that the characters' care about what is happening to them. This is reminiscent of Cowboy Bebop in tone, though no of the characters seem like direct analogues yet, though that comparison might give you an idea of whether you will appreciate it or not.



Dogs Prelude, vol. 0 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga

-Ferdinand

Dinosaur Hour, vol. 1

Story and Art by Hitoshi Shioya
Published in the US by VizKids


Sluglines: Bad humor and hungry dinosaurs are a winning combination!

Dinosaur Hour is basically a collection of humorous short skits that feature dinosaurs making fun of and exploiting their own natures. There is some mild educational content here, but it certainly not a focus and it shares only the basics (how big a dinosaur is, what period it existed and whether it was a carnivore or herbivore seems to be most of it.) There are no continuing characters in the volume and most of the dinosaurs are identified by their species rather than having any specific name. The humor is pretty juvenile and transparent, so rather than being for all ages it is really more for young ages. Keeping in mind that many of the jokes revolve around whether or not the dinosaurs can manage to make each other dinner, it is much more a boy book. The art is not very good, but since that this volume is basically sketch comedy, the fact that the art itself is barely more than a sketch works, and it allows the readers to have enough distance from what is happening to be able to laugh when someone becomes lunch. Once you take those limitations into account, it is pretty funny for what it is and doesn't try to do too much with what little attention that the volume will probably get from the typical reader.



Dinosaur Hour, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga

-Ferdinand

Honey Hunt, vol. 1

Story and Art by Miki Aihara
Published in the US by Viz Shojo Beat


Slugline: Parental abandonment issues galore!

Yura would seem to have a pretty good life since both of her parents rich and famous. But her parents treat her as an afterthought and at best treat her with a sense of benign neglect. Things finally come to a head when Yura's father's affair is discovered and her parent's divorce. At the same time, Yura discovers that her best friend Shin has been sleeping with her mom every since he went off to college. Lost, Yura goes off on her parents in front of the paparazzi. Her diatribe attracts the attention of one of her parent's agents, who offers Yura a chance to stand on her own two feet away from her parents and her old life. With that opportunity Yura begins a career in acting so to be independent and be able to get her parents to recognize her.

I disliked Hot Gimmick! (well, the novel version of it) a previous work by this creator. While I am not sure how much I buy into Yura having a special gift into acting, Yura's struggle for recognition from her parents is powerful and one I suspect many manga readers can emphasize. Having your family not only not understand who you are and what you do, but also being not even sure if it is worth trying to understand what you do is one of the universal adolescent anguishes. Unlike many stories where the parents are out of touch in order to give the main characters a free arena of action, the emotionally missing parents here are what drives Yura. While Yura herself is a little passive, but helps represents someone who has kept her head down most of her life and is only now learning how to do otherwise. The breaking of her old habits are more likely to be a gradual process than a sudden one, making this title feel very real.



Honey Hunt, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga

-Ferdinand

BakéGyamon, vol. 1

Story and Art by Mitsuhisa Tamura with Original Concept by Kazuhiro Tamura
Published in the US by Viz


Slugline: Children's adventures that aren't as dumb as they first appear.

Sanshiro wants to have adventures, much like his missing father had. Unfortunately, he is still a child under the guardianship of his grandparents, who would prefer that he would give up all such foolish dreams and be an innkeeper like they are. They are helped in this goal by living on a small island, making it difficult for Sanshiro to get into trouble. But Sanshiro is not to be denied, so when a mysterious figure offers Sanshiro a chance to be in the game BakéGyamon, which is run by monsters on a Reverse-Japan empty of people, Sanshiro jumps at the chance for adventure. Not even the prize of single wish granted matters more to him than having an adventure. But while Sanshiro is enthusiastic, neither is he ignorant to the dangers of adventuring and he uses his monster allies and the fellow players he wins over to great effect.

You see a device to summon monsters, monster seals and the word 'game' together, you expect to see a thinly disguised collectible card game or an attempt to launch one. Add that Sanshiro starts the volume out as the typical over-excited naive guy, so while he never quite losses that aspect, it is a bit of a surprise that he gains a brain. He isn't the smartest guy in the volume, but he does show something more than just relying on his enthusiasm to get by. If this manga is an ad for card game, it is among the worst ones I've seen, since the creatures that they can summon change by scene and there isn't any particular key cards or the like. The manga's game is more like chess, where the point is to figure out how to use your particular piece (monster) to your best advantage rather than using the manga to showcase the creatures and gameplay. Rather than fighting, it is more like dealing with puzzles and challenges. In that way, the manga was a pleasant surprise, in that it feels no need to be what you expect, but instead is its own story.



BakéGyamon, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga

-Ferdinand

Magic Touch, vol. 1

Story and Art by Izumi Tsubaki
Published in the US by Viz Shojo Beat


Slugline: A happy beginning to a massage shojo

Chiaki is a shy high school student who only comes into her own when she is working with her school's massage club. Her sister always get her into trouble and her mother always takes her sister's side, soChiaki find massage an activity and place where she can help people in a concrete way without having to worry about being undercut. There is a popular male student named Yosuke whose back is so tense that Chiaki just wants to sink her hands into it, but Yosuke demands that she has to be his girlfriend first. Yosuke has confused Chiaki with her sister, who destroyd and dumped Yosuke's brother but he learns that Chiaki is very different from his expectations.

Every time that I think I have found a premise for a manga that will never work, it still manages to surprise me in a pleasant way. Let's face it, high school romance set among the massage tables just calls out for a snarky commentary. While there is still a lot to snark about, the story does manage to work. It is not very thrilling mind you, using many of the same old shojo cliches that we have seen before. Look, a character that can cook so well that everyone talks about it and a romance filled trip to the beach! But considering the topic, I expected this story to be a dog, or fall into every cliche out there, and it manages to avoid the worst excesses and be somewhat believable. And since this blog is at least in the hundreds of shojo series reviewed, yes, sometimes that is all that is necessary to be pleasant surprise.



Magic Touch, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga

-Ferdinand

Pluto: Urasawa X Tezuka, vol. 1

By Naoki Urasawa and Osamu Tezuka, Co-authored with Takashi Nagasaki and Supervised by Macoto Tezka with the cooperation of Tezuka Productions
Published in the US by Viz

Slugline: A re-imagining of a classic Tezuka/Astro Boy story

Gesicht is a homicide detective in a near future where intelligent robots are common. It has been only recently have robots become difficult to tell apart from humans with robots getting married and having child robots, but robots are still somewhat removed from humanity by an emotional distance. Even Gesicht, himself a robot, can't help but feel some distance from the victims he tries to find justice for. His latest case is the murder of Mont Blanc, has very little emotional distance for everyone in Europe, since Mont Blanc was a beloved and wildly popular forestry robot who was also an environmentalist, poet and former soldier from the Asian wars. Mont Blanc's crime scene is very similar to the crime scene of a human murder which cause a great deal of worry for the authorities. If the two murders are related, only a robot would have the strength to tear apart Mont Blanc but no robot has killed a human in eight years. This disturbing contradiction drives Gesicht to consult with that killer robot, who warns him that there are 8 targets, all powerful robots many with connections to the Asian war. One of them is Atom, better known to American readers as Astro Boy.

This is an authorized extension of a Tezuka's Astro Boy story arc, now told as a murder mystery starring what was then a supporting character. I was not aware of all this back story when I picked up the volume but it was easily able to stand on its own. The characters and the plot are very subtle, holding more than what first appearances would suggest. Sure, there are some silly bits, such as robots with robot children, but once you accept the premises of the story, everything else flows naturally. Knowing Tezuka's titles would deepen one's appreciation for this homage, letting one recognize the off-handed Black Jack mention, but it is strong even without that knowledge.



Pluto: Urasawa X Tezuka, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga

-Ferdinand

Heaven's Will, vol. 1

Story and Art by Satoru Takamiya
Published in the US by Viz Shojo Beat


Slugline: Shoujo and the supernatural clash. Cuteness wins!

Sudou is a kanki, a person with the ability to see ghosts and other spirits called oni which she has been trying to avoid all of her life. Well, unholy creatures and boys, whom she just does not understand. While trying to lose pursuing oni a local haunted house Sudou runs into Seto, a crossdressing male dressed as a goth girl and who is an exorcist willing to help her with oni if in return Sodou cooks him/her a cake a day and flushes out more oni. Seto has a sidekick vampire wolf named Kagari that helps them out but is so gruff that he often surprises Sudou. During the course of the first exorcism (which takes up most of the first volume) Seto reveals that is not his/her true name but the name of his dead twin sister. Seto's sister was an exorcist with Seto using his sister's magical fan (which contains her spirit) to perform his exorcisms. The reason for all these complications, including Seto's cross-dressing, is because Seto hopes to make himself enough of a girl to allow his sister to reemerge and take over his body, displacing his spirit but allowing his sister to live again. Despite Seto's guilt-filled rationalization that this is to make up for his sister dying while defending him, Sudou is horrified and is left trying to think of ways to convince Seto to live.

As a Viz Shojo Beat title, this is far more a shoujo than a supernatural thriller, especially with all the talk of feelings rather than planning on how to confront the supernatural. The result is while the characters are well developed the story itself is less so, with the supernatural's rules unclear. In a way, even the art reflects shojo priorities, with Seto's cute goth girl outfits fully realized while the scenes that involve the supernatural sometimes seem unclear and suffer from poor panel construction. I am not a big shojo person, so it would not be a surprise for me to say that I think that perhaps the shoujo aspects should have minimized. But I think that they spent too much of their dramatic energy will on this first case, explaining both of Seto and Kagari's issues in detail together rather than spreading it over several different cases, allowing the supernatural and the shoujo aspects of the title to play off each other rather than existing almost separately. If you are not going to use the supernatural aspects to help inform and explain the characters and the overall story, why bother having those aspects at all?



Heaven's Will, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga

-Ferdinand

Otomen, vol. 1

Story and Art by Aya Kanno
Published in the US by Viz Shojo Beat


Slugline: What every kendo champion needs for his bokken is a knitted wrap

Asuka is a kendo champion and is among the most admired male students at his high school but he has a secret. Despite his manly abilities, he finds himself attracted to girly things such as cute stuffed animals, sewing and shojo manga. When he finally falls in love with a girl, at first sight of course since that is how it happens in shojo manga, he finds it ever harder to maintain appearances. Worse yet, one of the worst girly men in the school, Juta seems to know all of his secrets. The truth is Juta is secretly a mangaka of a popular shojo series Love Chick that all of the girls and Asuka like. The reason that Asuka can relate to the series is that Juta is basing characters and the storyline on Asuka himself, and in order to give himself more material Juta encourages Asuka to get closer to Ryo, the girl of his dreams. But Ryo has misinterpreted Asuka's love confession to mean that she, Asuka and Juta are all good friends while Juta just wants things between Ryo and Asuka to move forward so he can steal material for his manga. Asuka is left torn between his own uncertain nature and his friends' differing motivations.

This has a very good inversion of the shojo roles. Ryo is a cipher and clueless while Asuka's emotions and confusions are laid bare to the reader. Juta has an interesting, distanting connection with the other characters. He wants their relationship to progress, but not to progress so fast that his manga moves too quickly, nor does he necessarily want Ryo and Asuka to be happy together, because that is the kiss of death in dramatic storytelling. By commenting on the relationship and complaining how inconvenient it can be to try to translate into manga form, Juta can diffuse the normal criticisms of shojo manga of being unrealistic by acknowledging them and moving on. I have not been very forgiving with Aya Kanno's previous titles (seen here), but here she has finally found her stride and a voice, and I hope she continues in this vein.



Otomen, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga

-Ferdinand

Oishinbo: A la Carte, vol. 1

Story by Tetsu Kariya and Art by Akira Hanasaki
Published in the US by Viz

Slugline: Cooking that reveals more about the characters than the ingredients.

Yamaoka is the son of a famous gourmet, but has rejected his father's life and works. Of course, he unfortunately has been been assigned by the newspaper to cover Japanese cuisine and create the ultimate menu, leading him to multiple confrontations with his father, some of which he walks away the winner others less so. But each chapter of the story talks a little bit more about aspects of Japanese cuisine in factual terms.

This is actually a compilation of the some of the best episodes of the series, which has over 100 collected volumes. Which explains for a rather esoteric topic that the stories here are rather interesting, since they had more than two decades of story to choose from. The interest in these episodes are not in the minutiae of the cooking suggestions and techniques, but in what they represent to the characters. The volume presents a view of a Japan that is far more traditional than what is normally seen in manga. The protagonist is allowed to lose and not know it all, to the primary antagonist, his estranged father. Which both reinforces the traditional values in cooking but violates traditional storytelling rules by having the protagonist being the most competent. Sure, sometimes the actual story itself is simplistic, but there is some interesting balancing between the story and characters, and traditions in storytelling and society.



Oishinbo: A la Carte, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga

-Ferdinand

20th Century Boys, vol. 1

Story and Art by Naoki Urasawa
Published in the US by Viz


Slugline: What if you were kept to your childish promises to save the world?

When Kenji was young, he and his neighborhood friends had a secret club, with a headquarters in an empty field and a secret sign. Now that they are all adults, they barely remember any of it though many of them still live in the same neighborhood, taking over the stores their parents once ran. Unknown to them at the beginning of the story there is a cult, using some of the same symbols as their childish club and whose leader seems fixated on the neighborhood events of more than 20 years ago. Kenji is drawn into the mystery when one of the old gang commits suicide after seeing the symbol, something the other members of the gang who reunite for the funeral for the first time in years have a hard time believing. As the story flashes back and forward, we see the characters as children and as adults, we realize that this is now how the characters will fulfill their childish desires to save the world.

Kenji is the motivating force among the characters, the one that notices that something weird going on and drags the other characters toward figuring it out. If there hadn't been a flash forward at the beginning of the volume giving you a hint what was going on had global consequences, the story would feel like it is just a slice of life. But once you know the stakes, everything takes on more meaning, and you can spot the signs in the story. The story also speaks of the balance between adult and juvenile urges, the juvenile urge to be the hero, to have meaning, but the reality of the adult life is that you very rarely have a chance to be one, and most of the time you don't realize that the opportunity is at it hand until it past. This is a story of lost chances, and being able to take them again, and what their cost can be.



20th Century Boys, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga

-Ferdinand