Patchwork and all other explicit titles have been moved to Prospero’s Manga – Mature, a review blog for explicit manga titles. Please check there for reviews of such titles.
Thursday, December 21, 2006
Punch!, v. 1
Story and Art by Rie Takada
Published in the U.S. by Viz Media
Slugline: Pat Benatar's "Love is a Battlefield" has never been so true.
Elle is a typical high school girl, pining away, hoping for romance. Unfortunately, her family is filled with martial artists, runs a gym that trains them, and she has already been promised to the grandson of her grandfather's greatest rival, who also trains at the gym. Whenever she finds someone she likes, the gym attendees manage to find some way to convince that person that it would be better for his health to stay far, far away from Elle. Up until the day that the street tough Kazuki walks into her life.
For a story that is about a girl balanced between two boys, there is a not a lot of balancing. Ruo, Elle's fiance, is a cardboard character barely developed past the fact that he loves Elle despite her rejection, and like most manga guys he has serious problems with impulse control. Kazuki, once you get past the fact that he is often covered in blood not his own, has all of the soft bits that make teenage girls go all squee-ish.
Sorry, not sure what the adjective form of "squee" should be.
Other than some interesting story bits, this is just an competently executed shoujo story that has very little conflict to drive it, at least by the end of this volume.
- Ferdinand
Published in the U.S. by Viz Media
Slugline: Pat Benatar's "Love is a Battlefield" has never been so true.
Elle is a typical high school girl, pining away, hoping for romance. Unfortunately, her family is filled with martial artists, runs a gym that trains them, and she has already been promised to the grandson of her grandfather's greatest rival, who also trains at the gym. Whenever she finds someone she likes, the gym attendees manage to find some way to convince that person that it would be better for his health to stay far, far away from Elle. Up until the day that the street tough Kazuki walks into her life.
For a story that is about a girl balanced between two boys, there is a not a lot of balancing. Ruo, Elle's fiance, is a cardboard character barely developed past the fact that he loves Elle despite her rejection, and like most manga guys he has serious problems with impulse control. Kazuki, once you get past the fact that he is often covered in blood not his own, has all of the soft bits that make teenage girls go all squee-ish.
Sorry, not sure what the adjective form of "squee" should be.
Other than some interesting story bits, this is just an competently executed shoujo story that has very little conflict to drive it, at least by the end of this volume.
- Ferdinand
Wednesday, December 20, 2006
Updates to the Blog
With the influx of new readers, we've just finished a labeling project. You will notice a whole slew of new labels on the right hand side of the site. I think we got most of the useful types, but let us know if any come to mind.
As you can see on the label list, several companies are well represented . That's because they send us review copies. If you want your company's products reviewed, please consider adding us to your comp/review list. And if you want your favorite company's products reviewed, email them to add us to their review list.
Hopefully we will continue to add content and aids for Prospero's Manga over the upcoming weeks and months.
-Ferdinand
As you can see on the label list, several companies are well represented . That's because they send us review copies. If you want your company's products reviewed, please consider adding us to your comp/review list. And if you want your favorite company's products reviewed, email them to add us to their review list.
Hopefully we will continue to add content and aids for Prospero's Manga over the upcoming weeks and months.
-Ferdinand
Tuesday, December 19, 2006
Aoi House, v. 2
Written by Adam Arnold with Art by Shiei
Published by Seven Seas
Slugline: Harem girls who know that they are in harem, and know enough to mock the whole situation.
The second volume of the OEL Aoi House, I feel, suffers from its legacy of being a webcomic and being printed by Newtype USA. Sure, everyone and their cousin has either been exposed to it (heh, sorry, feeling the sophomoric humor, exposed to it, wink, wink, nudge, nudge, say no more) via the reprints or the webcomics, but the fact that it has to be continually up, always funny, always grabbing people's attention, means that it never has a lull in the action. When you read it as a graphic novel, you need those lulls for character bits, so that the characters hit more than one note. While a couple of the harem girls did so, I think the majority of characters were more obviously one-note than they were in the first volume. I am not sure whether that is just me, the side effect of writing for graphic novel or webcomic, but it was just not as surprising as the first one.
What did take me almost completely out of the story was the Final Fantasy riff in the middle of the volume. Apparently, I am the only anime/manga fan whose knowledge of Final Fantasy is gleaned solely from AMVs I have watched over the years. So I recognized a couple of the outfits, but the whole joke just went right over my head. Not necessarily its fault.
I still like the central conceit of a couple of hetero fanboys trapped in a harem of yaoi-crazed fangirls. There was some movement toward an overriding story arc, but this volume just didn't get to me the same way the first one did.
- Ferdinand
Published by Seven Seas
Slugline: Harem girls who know that they are in harem, and know enough to mock the whole situation.
The second volume of the OEL Aoi House, I feel, suffers from its legacy of being a webcomic and being printed by Newtype USA. Sure, everyone and their cousin has either been exposed to it (heh, sorry, feeling the sophomoric humor, exposed to it, wink, wink, nudge, nudge, say no more) via the reprints or the webcomics, but the fact that it has to be continually up, always funny, always grabbing people's attention, means that it never has a lull in the action. When you read it as a graphic novel, you need those lulls for character bits, so that the characters hit more than one note. While a couple of the harem girls did so, I think the majority of characters were more obviously one-note than they were in the first volume. I am not sure whether that is just me, the side effect of writing for graphic novel or webcomic, but it was just not as surprising as the first one.
What did take me almost completely out of the story was the Final Fantasy riff in the middle of the volume. Apparently, I am the only anime/manga fan whose knowledge of Final Fantasy is gleaned solely from AMVs I have watched over the years. So I recognized a couple of the outfits, but the whole joke just went right over my head. Not necessarily its fault.
I still like the central conceit of a couple of hetero fanboys trapped in a harem of yaoi-crazed fangirls. There was some movement toward an overriding story arc, but this volume just didn't get to me the same way the first one did.
- Ferdinand
Thursday, December 14, 2006
Kashimashi ~Girl Meets Girl~, v. 1
Story by Satoru Akahori with Art by Yukimaru Katsura, original character design by Sukune Inugami
Published in the US by Seven Seas
Slugline: A guy who is a girl, who turns into girl, gets more action then when he, no she, no whatever, was a guy.
First off, I will have to beg the reader's indulgence. I, the bitter old anime/manga fan, who first saw Ranma 1/2 from a tape off Japanese TV with someone the room yelling out relevant plot points since there was no such thing as subtitles, have a singular weakness. It's yuri. Romantic titles with all-female leads. Not to say my brain completely turns to mush, but I notice that I am lot more forgiving of these titles than most others. I think I have managed to be impartial here, but take what you will with a grain of salt.
Hazumu, a guy, likes Yasuna, a girl, and thought the feeling were at least appreciated, but when he confesses to her she does not take it well. His feelings squashed, Hazumu takes to the surrounding hills, where he is squashed by a falling spaceship. The aliens, feeling bad squishing someone, decide to do some repairs, but there were only so much genetic material left (when they squish someone, they really squish someone) and they could only rebuild him as a her.
Thus, the main conflict of the series. Hazumu as a girl manages to connect to Yasuna in a way he couldn't as a boy, and discovers a new connection to a childhood friend Tomari (a tomboy neighbor) and she isn't quite sure how to handle it. Is a boy in a girl's body a hetero girl, a lesbian, or what?
These sorts of questions could have been really delved into, but they are only explored in connection with the main characters' relationships. I would have liked to see more about Hazumu wrestling with his/her own questions of identity. That would have been a much heavier title than the light, fluffy romantic fare we have here, which I still find it interesting, though some of the supporting characters are sillier than they need to be.
- Ferdinand
Published in the US by Seven Seas
Slugline: A guy who is a girl, who turns into girl, gets more action then when he, no she, no whatever, was a guy.
First off, I will have to beg the reader's indulgence. I, the bitter old anime/manga fan, who first saw Ranma 1/2 from a tape off Japanese TV with someone the room yelling out relevant plot points since there was no such thing as subtitles, have a singular weakness. It's yuri. Romantic titles with all-female leads. Not to say my brain completely turns to mush, but I notice that I am lot more forgiving of these titles than most others. I think I have managed to be impartial here, but take what you will with a grain of salt.
Hazumu, a guy, likes Yasuna, a girl, and thought the feeling were at least appreciated, but when he confesses to her she does not take it well. His feelings squashed, Hazumu takes to the surrounding hills, where he is squashed by a falling spaceship. The aliens, feeling bad squishing someone, decide to do some repairs, but there were only so much genetic material left (when they squish someone, they really squish someone) and they could only rebuild him as a her.
Thus, the main conflict of the series. Hazumu as a girl manages to connect to Yasuna in a way he couldn't as a boy, and discovers a new connection to a childhood friend Tomari (a tomboy neighbor) and she isn't quite sure how to handle it. Is a boy in a girl's body a hetero girl, a lesbian, or what?
These sorts of questions could have been really delved into, but they are only explored in connection with the main characters' relationships. I would have liked to see more about Hazumu wrestling with his/her own questions of identity. That would have been a much heavier title than the light, fluffy romantic fare we have here, which I still find it interesting, though some of the supporting characters are sillier than they need to be.
- Ferdinand
Tuesday, December 12, 2006
Soul Rescue, v. 1
Created by Aya Kanno
Published in the US by TokyoPop
Slugline: Another entry in my list of proof that Japanese creators don't know the difference between angels, fairies and Casper the Friendly Ghost.
Sorry, it is my genetic Catholicism expressing itself, but the portrayal of angels and God here is just so, well, generic. They could have called them spirits, aliens or even Muggles and it wouldn't make a difference. I'm sorry, there would have been one difference -- they wouldn't have had all that cool wing imagery. I'm no dogmatic, but I do ask that if a creator uses an archetype, they do some basic research. If I did a story featuring Kabbalists, I would have done as much research on Jewish beliefs as I could.
But it's not like the creator spent a lot of time coming up with the story. It is a basic "got to save X number of people/souls/hamsters" storyline. Main character begins with an almost immediate change of heart, no real resistance, even though he proclaims his so-called resistance every change he gets. There is one good plot twist, the failure-in-success bit, which usually shows up later in these type of series, but it is still fairly standard.
Art is okay, but occasionally hard to follow. Not very much to be excited about either way. It's just an overwhelmingly average book, and not very well executed.
- Ferdinand
Published in the US by TokyoPop
Slugline: Another entry in my list of proof that Japanese creators don't know the difference between angels, fairies and Casper the Friendly Ghost.
Sorry, it is my genetic Catholicism expressing itself, but the portrayal of angels and God here is just so, well, generic. They could have called them spirits, aliens or even Muggles and it wouldn't make a difference. I'm sorry, there would have been one difference -- they wouldn't have had all that cool wing imagery. I'm no dogmatic, but I do ask that if a creator uses an archetype, they do some basic research. If I did a story featuring Kabbalists, I would have done as much research on Jewish beliefs as I could.
But it's not like the creator spent a lot of time coming up with the story. It is a basic "got to save X number of people/souls/hamsters" storyline. Main character begins with an almost immediate change of heart, no real resistance, even though he proclaims his so-called resistance every change he gets. There is one good plot twist, the failure-in-success bit, which usually shows up later in these type of series, but it is still fairly standard.
Art is okay, but occasionally hard to follow. Not very much to be excited about either way. It's just an overwhelmingly average book, and not very well executed.
- Ferdinand
Thursday, December 07, 2006
Little Queens, v. 1
By Yeon-Joo Kim
Published in the US by TokyoPop
Dishonorable Mention
My brain hurt after reading this. The story tone and the actual flow of the plot, what exists of it, jumps all over the place. I kept on thinking they had accidentally forgotten to include some panels, pages, heck, a whole chapter. Not sure why they're queens in training, and by the time they kind of gave half an explanation I didn't care. Characterizations seemed to change page to page, sometimes panel to panel. Sometimes the story took itself very seriously, other times it became very metatextual, which that is a difficult feat to pull off and the story failed in that regard. And honestly, I spent first couple chapters trying to connect the intro text to the story I was reading, and it was only after the headache started that I realized that it wasn't worth bothering. Time jumps around without explanation.
So yeah, not loving it. If the art was truly spectacular I might have rated it better, or if the story was an ambitious failure I could forgiven the attempt, but it is neither, merely average in both respects.
- Ferdinand
Published in the US by TokyoPop
Dishonorable Mention
My brain hurt after reading this. The story tone and the actual flow of the plot, what exists of it, jumps all over the place. I kept on thinking they had accidentally forgotten to include some panels, pages, heck, a whole chapter. Not sure why they're queens in training, and by the time they kind of gave half an explanation I didn't care. Characterizations seemed to change page to page, sometimes panel to panel. Sometimes the story took itself very seriously, other times it became very metatextual, which that is a difficult feat to pull off and the story failed in that regard. And honestly, I spent first couple chapters trying to connect the intro text to the story I was reading, and it was only after the headache started that I realized that it wasn't worth bothering. Time jumps around without explanation.
So yeah, not loving it. If the art was truly spectacular I might have rated it better, or if the story was an ambitious failure I could forgiven the attempt, but it is neither, merely average in both respects.
- Ferdinand
Kamiyadori, v.1
by Kei Sanbe Published in the U.S. by Tokyopop
Slugline: Jillald and Vivi fight a war of attrition against a nasty disease in a dystopian world.
Back when I reviewed Blame, I said something about writers not having to explain everything -- but there's a certain minimum that has to be put out there. Blame fell a bit too short on that, for me. Kamiyadori is an example of one that falls on the "just enough" side.
Of course, only so much explanation is needed when the primary goal is to shoot big guns at nasty mutant sick people and have as much casual female nudity as you can get away with. Too much exposition just gets in the way. However, there is enough to hint at an underlying world that might be interesting if the writer can bring together the elements -- some of which seem kind of random.
("The holy is coming." The holy what? And why does it seem to be making things worse?)
Jillald is a Right Arm, an elite commando, who may be losing his edge but he's still got his improbably ass-kicking shotgun. Vivi is his sidekick and a poorly socialized indigent, which gives her license to not say much, cause all kinds of trouble and go bare-assed frequently.
The two of them shoot infected people, traumatize small children, and deal with those trying to capitalize on the plague. Volume 1 ends mid-storyling, giving it somewhere to start in v.2, but I do wonder how many volumes you could do before this all gets repetitive. Maybe v.2 will introduce a larger story arc.
- Miranda
Slugline: Jillald and Vivi fight a war of attrition against a nasty disease in a dystopian world.
Back when I reviewed Blame, I said something about writers not having to explain everything -- but there's a certain minimum that has to be put out there. Blame fell a bit too short on that, for me. Kamiyadori is an example of one that falls on the "just enough" side.
Of course, only so much explanation is needed when the primary goal is to shoot big guns at nasty mutant sick people and have as much casual female nudity as you can get away with. Too much exposition just gets in the way. However, there is enough to hint at an underlying world that might be interesting if the writer can bring together the elements -- some of which seem kind of random.
("The holy is coming." The holy what? And why does it seem to be making things worse?)
Jillald is a Right Arm, an elite commando, who may be losing his edge but he's still got his improbably ass-kicking shotgun. Vivi is his sidekick and a poorly socialized indigent, which gives her license to not say much, cause all kinds of trouble and go bare-assed frequently.
The two of them shoot infected people, traumatize small children, and deal with those trying to capitalize on the plague. Volume 1 ends mid-storyling, giving it somewhere to start in v.2, but I do wonder how many volumes you could do before this all gets repetitive. Maybe v.2 will introduce a larger story arc.
- Miranda
Tuesday, December 05, 2006
Someday's Dreamers, Spellbound, v.1
by Norie Yamada & Kumichi Yoshizuki
Published in the U.S. by Tokyopop
Slugline: Magic-user Nami fumbles her way through high school and meets Ryotaro, motorcycle boy.
Nami is the basic puppy-eyed manga girl -- prone to screw-ups, ambitionless, miserable. Ryotaro is the basic gruff manga boy -- snappish, defensive, yet harbors a "soft side." That they are going to fall in love and overcome various obstacles is a foregone conclusion. The story is set in a carbon-copy Japan with one little hook thrown in to make it different -- except it rings hollow.
Nami is a magic user. A screw-up, but a magic user. The other characters treat this as only mildly unusual, so one must assume that there are a fair number of magic users in the population. So it's odd that the world does not seem to have any real support structure for her ability. There are self-help books, apparently, but no special magic class at school, no magic social clubs, no magical version of team sports -- and considering that she's supposed to get a certification to practice, you'd think there'd be as many magic-test-prep courses as there are SAT-prep-courses. We don't even see one other magic user, in v.1.
It's as if the writer threw in Nami's trouble with her magic just to give her something to feel bad about. Which is a mighty shallow reason to include magic and all the implications that magic brings with it. There are plenty of odd problems Nami could have without even leaving the bounds of modern-day Japan.
That her getting a handle on her skill is a part of the story is obvious -- it's poor writing, though, that in the whole first volume there's no sign that magic has been integrated into the world the writer has created.
- Miranda
Published in the U.S. by Tokyopop
Slugline: Magic-user Nami fumbles her way through high school and meets Ryotaro, motorcycle boy.
Nami is the basic puppy-eyed manga girl -- prone to screw-ups, ambitionless, miserable. Ryotaro is the basic gruff manga boy -- snappish, defensive, yet harbors a "soft side." That they are going to fall in love and overcome various obstacles is a foregone conclusion. The story is set in a carbon-copy Japan with one little hook thrown in to make it different -- except it rings hollow.
Nami is a magic user. A screw-up, but a magic user. The other characters treat this as only mildly unusual, so one must assume that there are a fair number of magic users in the population. So it's odd that the world does not seem to have any real support structure for her ability. There are self-help books, apparently, but no special magic class at school, no magic social clubs, no magical version of team sports -- and considering that she's supposed to get a certification to practice, you'd think there'd be as many magic-test-prep courses as there are SAT-prep-courses. We don't even see one other magic user, in v.1.
It's as if the writer threw in Nami's trouble with her magic just to give her something to feel bad about. Which is a mighty shallow reason to include magic and all the implications that magic brings with it. There are plenty of odd problems Nami could have without even leaving the bounds of modern-day Japan.
That her getting a handle on her skill is a part of the story is obvious -- it's poor writing, though, that in the whole first volume there's no sign that magic has been integrated into the world the writer has created.
- Miranda
Thursday, November 30, 2006
Question for our reader(s)
You may have noticed our switch to the new Blogger and the change in our index -- it's now by tags. Everything is indexed by ranking and I also created a few other groupings: yaoi, original English language, and manhwa.
Question: are there any other groupings that would help you find the reviews you want? We've debated whether to do a shojo group, or a science fiction group or what, so why don't you all tell us what would work best?
Comment to post an answer.
- Miranda
Question: are there any other groupings that would help you find the reviews you want? We've debated whether to do a shojo group, or a science fiction group or what, so why don't you all tell us what would work best?
Comment to post an answer.
- Miranda
Train Man
by Machiko Ocha
Published in the U.S. by Del Rey Manga
Slugline: Ikumi emerges from his otaku shell with the help of online friends.
There are several versions of the Train Man story ou there, but here's the basics: an otaku stands up to a drunk on the train, meets a girl as a result and is encouraged by online friends to date her and develop a relationship.
This is the shojo version, so the emphasis is very much on his fears and the support of his friends -- and their ascii art, the likes of which I haven't seen since my bulletin board days. The story is sweet in an ordinary, everyday way, and the writing does attempt to treat the unseen, unmet friends as real people by showing them hanging around their computers waiting for news. But on the other hand the art is standard-issue and there aren't exactly any surprises.
Plus, our hero isn't the most otaku of otaku... he bathes. His place isn't a mess. He seems to have a little spare money that he hasn't spent on manga/anime/cosplay gear. And while it was amusing to see ascii art and proto-133tsp33k again, it's a bit of a disconnect in today's world of IMs and Flash-laden webpages.
- Miranda
Published in the U.S. by Del Rey Manga
Slugline: Ikumi emerges from his otaku shell with the help of online friends.
There are several versions of the Train Man story ou there, but here's the basics: an otaku stands up to a drunk on the train, meets a girl as a result and is encouraged by online friends to date her and develop a relationship.
This is the shojo version, so the emphasis is very much on his fears and the support of his friends -- and their ascii art, the likes of which I haven't seen since my bulletin board days. The story is sweet in an ordinary, everyday way, and the writing does attempt to treat the unseen, unmet friends as real people by showing them hanging around their computers waiting for news. But on the other hand the art is standard-issue and there aren't exactly any surprises.
Plus, our hero isn't the most otaku of otaku... he bathes. His place isn't a mess. He seems to have a little spare money that he hasn't spent on manga/anime/cosplay gear. And while it was amusing to see ascii art and proto-133tsp33k again, it's a bit of a disconnect in today's world of IMs and Flash-laden webpages.
- Miranda
Gakuen Heaven
by You Higuri and Spray
Published in the U.S. by Blu
Dishonorable Mention
Even by my slightly lower porn standards, this is a flop -- main character's a Mary Sue, everyone's perfect, the plot drowns in tearful gratitude, the bad guys exist only to create hurt/comfort scene, and it's just generally boring.
- Miranda
Published in the U.S. by Blu
Dishonorable Mention
Even by my slightly lower porn standards, this is a flop -- main character's a Mary Sue, everyone's perfect, the plot drowns in tearful gratitude, the bad guys exist only to create hurt/comfort scene, and it's just generally boring.
- Miranda
Tuesday, November 28, 2006
Nosatsu Junkie, v.1
Created by Ryoko Fukuyama
Published in the U.S. by TokyoPop
Slugline: For once, it's the female character who has "the darkness" around her and the guy has to "rescue" her from herself.
This has been a tough rating to decide on. In our system, 3 stars means that the title is average. This is a shoujo title that has some of the standard tropes -- cross-dressing, people who want to become idols/models to get back to their exes -- but they do put a nice little twist to it. In this case, it is the female lead who is dark, whose appearance puts people off, and the male lead who starts to see past that and helps her start to come out of her shell. It is not the most original concept out there, but it was nice little twist, and managed to be entertaining.
But, while the art itself was fine, the layout of the panels and pages were at times confusing, jarring me out of the story at several places, forcing me to go back over pages since I was think I must have missed some connecting panel. Which character was which was sometimes not intuitively obvious just looking at the panel, and you had to rely on the dialogue balloons.
Despite that, I still rank it as a three-star, because I do feel that sometimes that I am little hard on shoujo titles, and the story was pretty good.
- Ferdinand
Published in the U.S. by TokyoPop
Slugline: For once, it's the female character who has "the darkness" around her and the guy has to "rescue" her from herself.
This has been a tough rating to decide on. In our system, 3 stars means that the title is average. This is a shoujo title that has some of the standard tropes -- cross-dressing, people who want to become idols/models to get back to their exes -- but they do put a nice little twist to it. In this case, it is the female lead who is dark, whose appearance puts people off, and the male lead who starts to see past that and helps her start to come out of her shell. It is not the most original concept out there, but it was nice little twist, and managed to be entertaining.
But, while the art itself was fine, the layout of the panels and pages were at times confusing, jarring me out of the story at several places, forcing me to go back over pages since I was think I must have missed some connecting panel. Which character was which was sometimes not intuitively obvious just looking at the panel, and you had to rely on the dialogue balloons.
Despite that, I still rank it as a three-star, because I do feel that sometimes that I am little hard on shoujo titles, and the story was pretty good.
- Ferdinand
Friday, November 24, 2006
Dolis
Created by Maki Kusumoto
Published in the U.S. by TokyoPop
Slugline: College is even more emotionally screwed up than high school? There is no escape!!!
Dolis is an odd little thing, a one-off story of a doomed little romance between a college-aged couple, of people that don't know who they are and simply don't care about others. The question I had when reading this was whether I could care about the characters, and except for a few instances I just couldn't. The use of text served to distance the reader even further from the characters. This is an interesting character sketch, but not really much of an interesting story.
What is very interesting is the use of color in the title. Supposedly many manga titles in Japan, at least when they are first published in magazine, use one or two additional colors rather than just being black and white. Each chapter of Dolis uses a different set of colors, which makes it a very visually striking book, even if the actual line work is merely okay. I actually feel sorry for the editors and layout folks for this title, because originally each chapter was in a separate issue, surrounded by different stories, whereas here it is the same story, so some of the color schemes seem to clash.
So if you want to see some interesting use of color in manga, Dolis is a good choice. Beyond that, I don't find a lot of excitement in the title -- if anything, it serves to drain you of it.
- Ferdinand
Published in the U.S. by TokyoPop
Slugline: College is even more emotionally screwed up than high school? There is no escape!!!
Dolis is an odd little thing, a one-off story of a doomed little romance between a college-aged couple, of people that don't know who they are and simply don't care about others. The question I had when reading this was whether I could care about the characters, and except for a few instances I just couldn't. The use of text served to distance the reader even further from the characters. This is an interesting character sketch, but not really much of an interesting story.
What is very interesting is the use of color in the title. Supposedly many manga titles in Japan, at least when they are first published in magazine, use one or two additional colors rather than just being black and white. Each chapter of Dolis uses a different set of colors, which makes it a very visually striking book, even if the actual line work is merely okay. I actually feel sorry for the editors and layout folks for this title, because originally each chapter was in a separate issue, surrounded by different stories, whereas here it is the same story, so some of the color schemes seem to clash.
So if you want to see some interesting use of color in manga, Dolis is a good choice. Beyond that, I don't find a lot of excitement in the title -- if anything, it serves to drain you of it.
- Ferdinand
Tuesday, November 14, 2006
Recast, v.1
Created by Seung-Hui Kye
Released in the U.S. by TokyoPop
Slugline: Just try to focus on the pretty, pretty pictures and avoid the word balloons. They will only sadden you.
The pictures are pretty.
And that's the limit of the good things I can say about Recast, a fantasy action manhwa. The story is all over the place, things seem to happen for little reason, and you have to rely on story notes and explanation pages to get vital information that you need in order to meet important characters and understand what is going on, and...
Look, I can see something good in all this, but it is so buried in confusing, pointless plot bits that I have little hope it will be salvaged. While the art is nice, even the fight scenes are not very well constructed, with confusing panel to panel sequences. Maybe that is enough for some people, but I require an interesting story that makes sense.
- Ferdinand
Released in the U.S. by TokyoPop
Slugline: Just try to focus on the pretty, pretty pictures and avoid the word balloons. They will only sadden you.
The pictures are pretty.
And that's the limit of the good things I can say about Recast, a fantasy action manhwa. The story is all over the place, things seem to happen for little reason, and you have to rely on story notes and explanation pages to get vital information that you need in order to meet important characters and understand what is going on, and...
Look, I can see something good in all this, but it is so buried in confusing, pointless plot bits that I have little hope it will be salvaged. While the art is nice, even the fight scenes are not very well constructed, with confusing panel to panel sequences. Maybe that is enough for some people, but I require an interesting story that makes sense.
- Ferdinand
Airgear, v. 2
by Oh!great
Published in the U.S. by Del Rey Manga
Dishonorable Mention
This book made me laugh. It was almost as funny as Samurai Champloo, in fact. Problem is, I don't think the writer intended it as a comedy.
Oh, and the publisher had to change the girl's assless chaps into jeans for the front cover. Because if you're flying through the air on magic rollerblades, assless chaps are exactly what you want for those rough landings.
- Miranda
Published in the U.S. by Del Rey Manga
Dishonorable Mention
This book made me laugh. It was almost as funny as Samurai Champloo, in fact. Problem is, I don't think the writer intended it as a comedy.
Oh, and the publisher had to change the girl's assless chaps into jeans for the front cover. Because if you're flying through the air on magic rollerblades, assless chaps are exactly what you want for those rough landings.
- Miranda
Thursday, November 09, 2006
Rose Hip Zero
by Tohru Fujisawa
Published in the US by TokyoPop
Slugline: There's a rose on her hip. I don't know what the "zero" is all about.
Rose Hip Zero is a series from the creator of GTO, which would normally be a great motivator for one to check this out, but not so much in this case. Rose Hip Zero is about an almost supernaturally competent female teenage assassin, Rose, and the bad boy cop Kyoji as they take on the teen terrorist organization ALICE. It is an exactly manga-by-the-numbers action story. With a teen girl in a school uniform who likes to do flips (no fan service there!).
There are a couple weird story bits, which in GTO reflected the wackiness of the main character and his effect on the world, but here just seem odd when compared to the terrorist-derived storyline and the implied stakes in the story. I tried to find out more about the story and series, but apparently this is the second of a three-series set. As far as I can tell, Rose Hip Rose, the predecessor story, has been released in the US, and Magnum Rose Hip, the successor is currently being serialized. I suspect they may shed more light on some of the things here.
While the art is nice, sometimes parts of it are mislaid so that the full impact of the story is lost. For instance, there is a full page spread, which is nice, but an important story bit is hidden in the crease so that you can't see it. So while this is a good action story, that's all that it is, despite attempts to try to draw you in and build a backstory.
- Ferdinand
Published in the US by TokyoPop
Slugline: There's a rose on her hip. I don't know what the "zero" is all about.
Rose Hip Zero is a series from the creator of GTO, which would normally be a great motivator for one to check this out, but not so much in this case. Rose Hip Zero is about an almost supernaturally competent female teenage assassin, Rose, and the bad boy cop Kyoji as they take on the teen terrorist organization ALICE. It is an exactly manga-by-the-numbers action story. With a teen girl in a school uniform who likes to do flips (no fan service there!).
There are a couple weird story bits, which in GTO reflected the wackiness of the main character and his effect on the world, but here just seem odd when compared to the terrorist-derived storyline and the implied stakes in the story. I tried to find out more about the story and series, but apparently this is the second of a three-series set. As far as I can tell, Rose Hip Rose, the predecessor story, has been released in the US, and Magnum Rose Hip, the successor is currently being serialized. I suspect they may shed more light on some of the things here.
While the art is nice, sometimes parts of it are mislaid so that the full impact of the story is lost. For instance, there is a full page spread, which is nice, but an important story bit is hidden in the crease so that you can't see it. So while this is a good action story, that's all that it is, despite attempts to try to draw you in and build a backstory.
- Ferdinand
Junjo Romantica, v.1
by Shungiku Nakamura
Published in the U.S. by Blu
Slugline: College student Misaki falls for famous author Akihiko and Hiroki falls for Nowaki. Caution: explicit gay porn.
This is a story in two parts, and Akihiko seems to be the only connection -- Hiroki had a thing for Aki, but it's not clear if this is parallel to Misaki's story or not. Maybe it doesn't matter. The transition threw me for a loop since I kept confusing Hiroki with Misaki's brother.
I'm not a big fan of romance stories, partly because there seem to be a set number of ways for the relationship to develop and one of them involves what would normally be prosecutable cases of sexual assault. That would be the style featured in Misaki and Akihiko's half of the volume. The theory that the ends not only justify the means but somehow make it more "romantic" has never sat well with me. Hiroki and Nowaki's relationship reads more easily, after an initial case of home invasion.
Both stories contain well developed characters with heartaches and fears and a life outside their porn, but the plot focuses solely on getting two guys in bed with each other. Along the way, some funny moments and snarking kept the drama from getting too thick. The art is all right -- the guys are prone to having gigantic shoulders, though, and too-small heads -- and the sex is explicit without being hardcore, obviously drawn within the bounds of Japan's censorship laws...
- Miranda
Published in the U.S. by Blu
Slugline: College student Misaki falls for famous author Akihiko and Hiroki falls for Nowaki. Caution: explicit gay porn.
This is a story in two parts, and Akihiko seems to be the only connection -- Hiroki had a thing for Aki, but it's not clear if this is parallel to Misaki's story or not. Maybe it doesn't matter. The transition threw me for a loop since I kept confusing Hiroki with Misaki's brother.
I'm not a big fan of romance stories, partly because there seem to be a set number of ways for the relationship to develop and one of them involves what would normally be prosecutable cases of sexual assault. That would be the style featured in Misaki and Akihiko's half of the volume. The theory that the ends not only justify the means but somehow make it more "romantic" has never sat well with me. Hiroki and Nowaki's relationship reads more easily, after an initial case of home invasion.
Both stories contain well developed characters with heartaches and fears and a life outside their porn, but the plot focuses solely on getting two guys in bed with each other. Along the way, some funny moments and snarking kept the drama from getting too thick. The art is all right -- the guys are prone to having gigantic shoulders, though, and too-small heads -- and the sex is explicit without being hardcore, obviously drawn within the bounds of Japan's censorship laws...
- Miranda
Tuesday, November 07, 2006
Queens, v.1
by Sung-Hyen Ha
Published in the U.S. by Tokyopop
Slugline: Pil-Hyun desperately wants to be more "manly" and apprentices himself to a manga artist to do so.
...because they are such paragons of manhood. Especially the female ones. Yes, the kid is doomed.
This is, in fact, an interestingly different look at the "femmy" boy character type. I'm not saying that all guys who like teddy bears or wearing dresses should aspire to be more "manly" -- I think you should be yourself and hold out for the people who will understand you, but at the same time I know how hopeless that can seem when you're a teenager.
Overly "feminine" boys turn up frequently in manga (this is a manhwa, though) and they don't seem to face the same problems that such a guy would in the U.S. Pil-Hyun's quest for "manliness" gives the reader a window on how masculinity is defined in Asia -- where it's obviously both similar and different from the American definition.
Along the way, I'm sure there will be a look at the less glamorous side of being a professional artist, which is also worth seeing.
If it weren't for that, Queens would be a moderately amusing comedy of failures, mistakes and bad luck. Those aren't exactly uncommon, though this one puts a bit more effort into developing the characters. The art is competent but unexceptional. I'm a bit surprised to be recommending this title and looking forward to volume 2.
- Miranda
Published in the U.S. by Tokyopop
Slugline: Pil-Hyun desperately wants to be more "manly" and apprentices himself to a manga artist to do so.
...because they are such paragons of manhood. Especially the female ones. Yes, the kid is doomed.
This is, in fact, an interestingly different look at the "femmy" boy character type. I'm not saying that all guys who like teddy bears or wearing dresses should aspire to be more "manly" -- I think you should be yourself and hold out for the people who will understand you, but at the same time I know how hopeless that can seem when you're a teenager.
Overly "feminine" boys turn up frequently in manga (this is a manhwa, though) and they don't seem to face the same problems that such a guy would in the U.S. Pil-Hyun's quest for "manliness" gives the reader a window on how masculinity is defined in Asia -- where it's obviously both similar and different from the American definition.
Along the way, I'm sure there will be a look at the less glamorous side of being a professional artist, which is also worth seeing.
If it weren't for that, Queens would be a moderately amusing comedy of failures, mistakes and bad luck. Those aren't exactly uncommon, though this one puts a bit more effort into developing the characters. The art is competent but unexceptional. I'm a bit surprised to be recommending this title and looking forward to volume 2.
- Miranda
Thursday, November 02, 2006
Penguin Revolution, v.1
Created by Sakura Tsukuba
Published in the US by CMX Manga
Slugline: Beware armed penguins! (Which is true only in the most metaphorical way.)
I usually do not like shoujo titles, because they seem to use the same three or four plots over and over. When I first read the cover copy for Penguin Revolution I was very tempted not to bother. We have cross-dressing characters and it is set in the talent agency. I've only read about a dozen titles in that ballpark.
But while Penguin Revolution is not the salvation of the shoujo genre, neither does it fall headlong into all of the traps that I expected. The cross-dressing, while played for laughs, isn't because of romantic misunderstandings. While the reason that it is happening isn't an especially sound one, let's admit it, how many sound ones can there be? And our lead character isn't trying to beat the odds and get people to see her obvious talent, but instead just trying to help out a friend and trying to avoid living on the streets.
The main character Yukari has the ability to sense a person's creative talent by seeing an otherwise invisible set of wings on the person, the greater the wings, the greater the talent. Considering how she grew up, she craves stability and wants to avoid the entertainment industry but she still ends up living with a talent crossdressing as a girl and she has to get into entertainment to help keep his secret. While she is fond of him, she is not reduced to a simpering mess by his or any man's presence (except by the brilliance of his wings, but then again any set of wings can affect her) and she can defend herself.
The art is straightforward and tells the story effectively and while there is nothing in the title that speaks of brilliance, sometimes executing the same old thing in a good way is worth more than you think.
Finally, this is a CMX Manga title, which may leave a bad taste in fans' mouths, but the company has learned from their previous mistakes and this book at least seems solid.
-Ferdinand
Published in the US by CMX Manga
Slugline: Beware armed penguins! (Which is true only in the most metaphorical way.)
I usually do not like shoujo titles, because they seem to use the same three or four plots over and over. When I first read the cover copy for Penguin Revolution I was very tempted not to bother. We have cross-dressing characters and it is set in the talent agency. I've only read about a dozen titles in that ballpark.
But while Penguin Revolution is not the salvation of the shoujo genre, neither does it fall headlong into all of the traps that I expected. The cross-dressing, while played for laughs, isn't because of romantic misunderstandings. While the reason that it is happening isn't an especially sound one, let's admit it, how many sound ones can there be? And our lead character isn't trying to beat the odds and get people to see her obvious talent, but instead just trying to help out a friend and trying to avoid living on the streets.
The main character Yukari has the ability to sense a person's creative talent by seeing an otherwise invisible set of wings on the person, the greater the wings, the greater the talent. Considering how she grew up, she craves stability and wants to avoid the entertainment industry but she still ends up living with a talent crossdressing as a girl and she has to get into entertainment to help keep his secret. While she is fond of him, she is not reduced to a simpering mess by his or any man's presence (except by the brilliance of his wings, but then again any set of wings can affect her) and she can defend herself.
The art is straightforward and tells the story effectively and while there is nothing in the title that speaks of brilliance, sometimes executing the same old thing in a good way is worth more than you think.
Finally, this is a CMX Manga title, which may leave a bad taste in fans' mouths, but the company has learned from their previous mistakes and this book at least seems solid.
-Ferdinand
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